I truly dug
the French ‘loup garou’ twist to the tale, it made the story more mystery than
thriller, and enhanced the authenticity to the Louisiana setting. The film is not very long, one can watch it
in about an hour – which is very appealing to people that cannot dedicate three
hours to a film. The old, sprawling
southern home reminded me of Tarantino’s Django
Unchained, and further contributed to the bayou feel of the flick. The costume and décor all made sense for the
period and location. David Janssen’s
chest hair was a little wild, though – so much so that I had him pegged as the
werewolf in the beginning of the film.
He smartly portrays Sheriff Aaron Whitaker, the man pursuing the killer
with all his might, right up to the end.
Barbara Rush does a smashing job as Louise Rodanthe, opposite
Janssen.
I like that the ‘smell of sulfur’
can disorient the werewolf and rend him powerless for a bit. That was a cool twist that I didn’t
expect. The makeup, I am sorry to say,
was the worst aspect of the film. The
werewolf looked…well…all the cheese. But
at least the director seemed to know this because the camera selections a few
times were purposely blurry or far away from him. And I suppose that lends credibility to my
statement about Hemlock Grove being wicked awesome concerning the
transformation from man to wolf. I still
dug this film though, and recommend to anyone looking for something mysterious
(‘whodunnit?’) to watch. Body
Count? Four. Killers?
Two. Boob Count? Zero (made for TV movie). Cheap Thrills? Zero.
Actual Spooks? Zero. Though I was
impressed to see some blood in the film, I must say. Rating?
2 out of 5 stars. Not a bad
werewolf mystery film, but it didn’t quite have the teeth I look for in my
werewolf flicks.
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